- Pearls from EB White: Writings From The New Yorker 1927-1976
- The E. B. White Collection
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- Essays of E.B. White. (Book, ) [wohoxytu.tk]
Preview — Essays of E. Essays of E. The classic collection by one of the greatest essayists of our time. Selected by E.
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- Paris Review - E. B. White, The Art of the Essay No. 1;
- Pearls from EB White: Writings From The New Yorker .
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White himself, the essays in this volume span a lifetime of writing and a body of work without peer. Get A Copy. Paperback , pages. More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Essays of E. White , please sign up. Where can I find a hard bound copy of Essays of E.
See all 3 questions about Essays of E. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. These essays are the reason I love reading essays to begin with. Five or ten minutes in the company of Mr. White's opinions, written by the master stylist that he is, leaves me feeling happy, refreshed, relaxed, and most of the time, amused. They are wonderful and he wrote a lot of them during his time at the New Yorker, so I don't have to stop with this book. View all 5 comments. There is really no way for a man to put his arms around a big house plant and still remain a gentleman.
My first encounter with the duo was in my high school English class of junior year. My teacher was old-fashioned enough to believe that we should learn how to use punctuation. This came as a shock, since none of her predecessors had spared so much as a moment on There is really no way for a man to put his arms around a big house plant and still remain a gentleman.
This came as a shock, since none of her predecessors had spared so much as a moment on a semicolon. In college I picked up the habit of rereading Strunk and White at least once a year. One of the reasons I picked up this book was the hope that, by observing White at work, his example might serve where his precepts failed. With White, the style is the man; and any discussion of his works inevitably becomes an analysis of his prose.
It is writerly writing. His style is conversational, not aphoristic.
Pearls from EB White: Writings From The New Yorker 1927-1976
His sentences are not pointed, his wit is not barbed, his lines are not militantly memorable. His writing is loose; it breathes like a cotton shirt; it is drafty like an old wooden cabin. You might say that his essays are a controlled ramble, a balancing act that looks like a casual stroll. They take their time.
Like a scatterbrained errand boy, they pause in a thousand places for momentary rendezvous and covert dalliances before reaching their destinations. White seldom speaks in abstractions, and hardly makes an argument. His writing is held together not by the logic of ideas but by the tissue of memory. This is partly why the style is unfilterable from the content. There is no thesis to take away. He is not trying to make a point, but to communicate his perspective, to encapsulate a piece of his personality. Modest and gently humorous, he is animated by a curiosity for the little things that comprise his world.
This is what makes him such a consummate essayist. In the humdrum facts and quotidian occurrences of life he hears music and meaning, and spiderlike weaves his own web to stitch them into a delicate structure: As I sat at table, gnawing away at a piece of pie, snow began falling. At first it was an almost imperceptible spitting from the gray sky, but it soon thickened and came driving in from the northeast.
I watched it catch along the edge of the drive, powder the stone wall, and whiten the surface of the dark frozen pond, and I knew that all along the coast from Kittery on, the worst mistakes of men were being quietly erased, the lines of their industrial temples softened, and U. Since what White says is less important than the way he says it, upon finishing the reader is left with nothing but echoes and aftertastes.
Yet it is a delicious aftertaste, tart and tangy with a touch of smoke, and it whets my appetite for more. View all 3 comments. From the author of Charlotte's Web , this collection of essays is as powerful as it is original, and definitely a classic in every sense of the word. Like the majority of American liberal artists, I know E. White principally from his editorial work.
The Elements of Style was the principal explicit force behind my own understanding of the sentence and the essay, and I assumed its writer would possess that bright cogency that tickles the alert reader into giggles. I also knew E. White as the author of books for children, and though it has been nearly two decades since I read Charlotte's Web , I remember vividly the story and the prematurely deep emot Like the majority of American liberal artists, I know E.
White as the author of books for children, and though it has been nearly two decades since I read Charlotte's Web , I remember vividly the story and the prematurely deep emotion it aroused. Lastly, I knew E.
The E. B. White Collection
White was the resident essayist for years at the New Yorker , and I had read a piece or two of his during college and graduate writing programs, and found them—as I expected from the editor of the Elements of Style —to be refined and distinct, even if I believed they were too patricianly contented for my taste. Both artists reside within a tiny honored circle of American essayists.
Both artists, per William Strunk's instruction, labor to omit needless words. Both artists ask that every word tell. But Wallace crams his sentences full of meaning, each written as though it would be his last and only, while E. White seems to let some sentences breathe the open air. What's more, Wallace often mercilessly whips his essay, even his day-to-day accounts, in pursuit of his philosophical rabbit. He is as methodical as the baseline tennis player of his teenage years, piling precise sentence on sentence, calculating and increasing the advantageous angles, till triumph is inevitable.
White seems, by contrast, to be at times an amnesiac playing billiards with one hand: scattering the balls, then studying them, judging their position anew, and firing away. In his missives from Maine, for instance, White will digress into accounts on the weather, reports on egg production, measurements of snowfall and the tides, before meandering to his point.
But when White finally finds the balls aligned to his liking, he strikes with such a devastatingly beautiful, caroming shot! Consider his essay, "Death of a Pig," filled with mournful puns such a thing is possible! It seems a sweet, orchard-smelling essay, but comes around to a gorgeous and devastating final sentence comparing the curious spirit of his daschund Fred and the haunting regret he, as a failed caretaker, feels at his pig's inescapable death: "The grave in the woods is unmarked, but Fred can direct the mourner to it unerringly and with immense good will, and I know he and I shall often revisit it, singly and together, in seasons of reflection and despair, on flagless memorial days of our own choosing.
Within the slow, sad, wandering story, it is devastatingly melancholic. Or, consider the lively and humorous essay on the World's Fair in Queens, NY, which pokes gentle fun at the antiseptic world of tomorrow. And at the end, the essay arrives the peculiar image of a couple of bare-breasted "Amazon" girls sitting in a robot automaton's giant rubber palm: a silly image, ripe for the simple, sly irony and gentle humanism that characterizes an essay filled with tots making long distance phone calls, cracks about the rainy weather.
But White opts, in the last sentence, to just put aside the nibbles of soft irony and just take one voracious bite. And so, from nothing: "Here was the Fair, all fairs, in pantomime; and here the strange mixed dream that made the Fair: the heroic man, bloodless and perfect and enormous, created in his own image, and in his hand rubber, aseptic the literal desire, the warm and living breast.
Owning a car was still a major excitement, roads were wonderful and bad. The Fords were obviously conceived in madness: any car which was capable of going from forward into reverse without any perceptible mechanical hiatus was bound to be a mighty challenging thing to the human imagination. Boys used to veer them off the highway into a level pasture and run wild with them, as though they were cutting up with a girl The days were golden, the nights were dim and strange.
I still recall with trembling those loud, nocturnal crises when you drew up to a signpost and raced the engine so the lights would be bright enough to read destinations by. I have never been really planetary since. I suppose it's time to say good-bye. Farewell, my lovely! View all 4 comments. Especially for "Mr Forbush's Friends So many observations, some made eight decades ago, are still relevant. The very first, about how 'stuff' accumulates so that when one tries to move to a new home one has to take the time to review one's life, is gorgeous.
The tale of his trip to Alaska, as a callow youth in the early 20s, is memorable. There are som Especially for "Mr Forbush's Friends There are some references to current events and notable figures no longer known, but they are minimal. More interesting are the current events that are still current, for example urban sprawl and pollution. You could relax every last tension tonight and wake tomorrow morning with all the makings of war, all the familiar promise of trouble.
Very interesting. Fascinating how the man wrote so well on so many different subjects. From experiencing a hurricane to reminiscing about The St. Nicholas League to writing a tribute to Don Marquis to political commentary as the above. View all 9 comments. Jun 04, Chrissie rated it really liked it Shelves: bio , audible-uk , classics , read , short , usa.
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Keep in mind that usually I do not enjoy either essays or short stories, but here the writing is exceptional. It is this that makes all the difference. The very best are those essays where the topics covered although related also diverge - Adlai Stevenson, Truman, Eisenhower, religion, faith, dogs and politics; this one was entitled Bedfellows and was my very favorite!
The book concludes with a concise biography of E. White and his wife, which I highly appreciated. It is worth picking up the book just for this. The audiobook narration by Malcolm Hillgartner is impeccable. Clear, easy to follow and read at a perfect speed. THIS is how I want all audiobooks to be read! I can tell you what the essays cover but it is how they are written that enchants. The book as a whole I enjoyed very, very much and thus am giving it four stars.
The narration I have given five stars. White is one my favorite books from childhood and thinking about the book continues to give me a warm feeling. He wrote for the magazine "The New Yorker" starting in where he met his wife who edited his work. Some of the witty and descriptive essays in this book appeared in different publications as well as the "New Yorker. Charming book. Highly recommend.
View 2 comments. Feb 08, David rated it really liked it Shelves: read-in Here are some of the opening sentences found in this collection of essays. Someone told me the other day that a seagull won't eat a smelt. I spent several days and nights in mid-September with an ailing pig. Mosquitoes have arrived with the warm nights, and our bedchamber is their theater under the stars. I wasn't really prepared for the World's Fair last week, and it certainly wasn't prepared for me. Waking or sleeping, I dream of boats -- usually of rather small boats under a slight press of sail. On any person who desires such queer prizes, New York will bestow the gift of loneliness and the gift of privacy.
I see by the new Sears Roebuck catalogue that it is still possible to buy an axle for a Model T Ford, but I am not deceived. Do I really need to continue? With opening lines like these, you know you are in good hands. Many of the pieces evoke a very particular time and place. They are all so beautifully written that reading them is a pleasure. Yo, Goodreads I. It's like This book is a classic 3. When forced to round, I must round down.
White was a wonderful essayist. This particular collection contains more than a few gems but is too inconsistent to make the entire volume a ' must read. I will say that this collection has inspired me to Yo, Goodreads I. I will say that this collection has inspired me to research other notable essayists and has given me a deep appreciation for the genre. We should all be essayists - even poor ones.
Mar 28, Andrew rated it it was amazing Shelves: favorites. I took my time reading these essays, one at a time, over the past summer.
It ended up being one of the best reading experiences I've had. To quote E. White - "As a writing man, or secretary, I have always felt charged with the safekeeping of all unexpected items of worldly and unworldly enchantment, as though I might be held personally responsible if even a small one were to be lost. With White's incredible, genuinely American voice, and his mastery of the English language, you couldn't ask for much more in an essay.
I'll certainly be rereading many of these. Aug 07, Antigone rated it it was amazing Shelves: essays-shorts. If you occasionally find your foot lost of its purchase on the bicycle pedal while speeding down a death-defying San Francisco hill - minus the bicycle and minus the hill - then the essays of E.
White should be immediately looked into. White's work is thoroughly grounding. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied. The E-mail Address es field is required. Please enter recipient e-mail address es. The E-mail Address es you entered is are not in a valid format.
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Essays of E.B. White. (Book, ) [wohoxytu.tk]
Find a copy in the library Finding libraries that hold this item Elwyn Brooks , Thirty-one of E. Essays in English -- American writers, - Texts User lists with this item 1 Books to Read 17 items by jeb updated You may have already requested this item. Linked Data More info about Linked Data. Memories : -- Afternoon of an American boy -- Farewell, my lovely!
Books, Men, and Writing : -- The St. Forbush's friends. All rights reserved. Remember me on this computer. Cancel Forgot your password? E B White. Print book : English : 1st ed View all editions and formats. American essays -- 20th century. Essays in English -- American writers, - Texts.